Thursday, September 2, 2010

Skip This One: It's A Boy Girl Thing

Being a trans guy, I'm into genderflip movies. It's just one of those things, like gay men being into gay male movies, kids being into movies about teenagers, and the entire film industry being obsessed with movies about white people. (One of these is not okay, but that's been covered by much more qualified writers than I.) Basically, I like these movies because some small part of them reflects the kind of things I go through, or would like to go through. I also watch them just for a laugh, because hey - nobody's serious all the time, not even the super serious trans man.

This one, though, can be skipped.

It's A Boy Girl Thing is a (SPOILERS!) romantic comedy about two white teenagers of opposite sexes. Nell, the girl, is fairly well-off. She's educated, well-mannered, nicely dressed, and hoping to get into Yale University. Woody, the boy (nice name, eh?), comes from a working-class family. His clothes are worn out, his manners are lacking, and his mom can't cook very well. He'll be lucky if he gets into any university.

Nell and Woody hate each other with a passion. So much that they get into a fight in a museum, which awakens the statue of an ancient god (for serious), who does some magical mist-fu that causes them to switch bodies. I will admit, this part of the movie is actually pretty entertaining. Aside from a couple of blunders, the two actors playing the roles do so very well, and the jokes are mostly funny. (Very raunchy, but funny.) The film does an average job of subverting gender roles, in that the characters do learn to appreciate each others' hobbies, but the male is still such a dunce that he can only learn to appreciate something that he already appreciates. Long story. The movie also comes down a little bit on classism, and has a bit in support of rap music, which is nice.

Those are the redeeming qualities. Now for the bad stuff.

First of all, the film just misses its mark. It's supposed to be about the differences between boys and girls (or so one would assume, based on the title), but it's as much, if not more, about the differences between class levels. It's entertaining, but it doesn't fit the title. Another gripe of mine - minor, I will admit - is that the setting of the film is a little too reminiscent of The Fantasticks. The two live right next to each other, she in a nice house with a neat lawn, he in a shabby house with a filthy yard, and while the families are presumably locked into feud, secretly their fathers would like nothing better than to see them together.

Those are just infractions - things that are a little annoying, but don't really ruin the movie for me. No, what really gets me is the bigotry. While the film fights gender roles and class divides with one hand, with the other it dispenses racism, homophobia, and slut shaming in the traditional "I'm not really bigoted" way that white cinema tends to do.

First of all, let's look at the racism. There are exactly two characters of color in this film (neither of which are the protagonists, naturally). One of them is a randy, apelike, teenaged black boy who is obsessed with sex to the point that he cheats on his white girlfriend regularly. The other one has very little character, but is a motorcycle-driving Latino who will have sex with any girl on campus at the drop of a hat, and comes dangerously close to destroying Nell's virginity (except he doesn't - more on that later). Of course the filmmakers didn't intend the film to be racist, but when the only lesson we learn is that teenaged boys of color are all sex machines who will cheat on/destroy the innocence of your white daughters, guess what I call it. Yup.

Also, it is implied throughout the film that the black character is extremely well-endowed, which never fails to catch the attention of the characters who get an eyeful of his junk. 'Cause all black guys have big penises, get it?

Now the homophobia. This is mostly character-driven, in a scene where Woody (in Nell's body) attempts to have sex with the aforementioned Latino, only to realize at the last minute that it's a terrible idea because he's not into guys. That's not bad. In fact, it was a great idea. But then he starts going on: "This is so gay! He's gonna make me his bitch!" He's more worried about having a "gay" experience - which he is certain will be demeaning and disgusting - than he is about having sex with someone that he's not into.

Just in case you thought this was just a character thing and had no bearing on the writers' views: first, no effort is made to contradict Woody's opinions, and secondly, it happens again, at the end of the movie. The aforementioned black character, having been dumped and thoroughly humiliated by his girlfriend, finds himself naked at a party, in front of a gay man who is obviously impressed with his super-sized black junk. Lesson #2: Don't cheat on your girlfriend, or else the gays will come after you. And while you might not think that's a bad thing, the filmmakers obviously believe that it would be gross and embarrassing.

After those two whoppers, this one is more of a footnote. See, there isn't actual slut shaming in this movie per se, but its effects are quite visible. Nell, trapped in Woody's body, is thoroughly convinced that her hymen is her virginity, and that if Woody in Nell's body has sex, that means that Nell is no longer a virgin. This would be horrible, because she was saving her first time for someone special. While there's nothing wrong with Nell's desire to wait for her first sexual experience, there is something hugely wrong with her assumption. Regardless of whose hymen is abused, if Woody had gone through with his plan, all it would mean is that Woody had sex that night. Nell wasn't there, she didn't have sex, she's still a virgin, end of discussion. And again, the movie does nothing to counteract this idea.

So, that's it in a nutshell. You might think that these things are minor - after all, nobody is going to watch one movie and think "Well, gee, I guess all boys of color are bad and gay sex is disgusting!" Can't I just forget the bad parts and enjoy the movie?

Well, no. Because the bad parts are in the movie. And people are going to watch this film and come away with a niggling subconscious idea that white boys, like the eventually honorable Woody, are better potential mates than boys of color, just because this movie showed it. A conscious knowledge to the contrary cannot completely overcome a subconscious suspicion. And this movie offers way too many of them for comfort.

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